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DTSTART;VALUE=DATE:20220228
DTEND;VALUE=DATE:20220301
DTSTAMP:20211028T111558Z
CREATED:20211028T111558Z
LAST-MODIFIED:20211028T111558Z
UID:277-1646006400-1646092799@anovelapproach.ca
SUMMARY:N - CBC Nonfiction Prize
DESCRIPTION:Nonfiction (up to 2\,000 words)* \n\nThe Nonfiction Prize includes memoir\, biography\, humour writing\, essay (including personal essay)\, travel writing\, and feature articles. While the events must be real and the facts true\, creative nonfiction conveys your message through the use of literary techniques such as characterization\, plot\, setting\, dialogue\, narrative and personal reflection. The work should be accessible to a general reading audience (i.e.\, not written for a specialized or academic audience).\n\nCompetition opens: January 1\, 2022 \nDeadline: February 28\, 2022 \n*(Word count includes all words contained in the work including but not limited to titles\, footnotes\, introductions\, etc. Submissions over the specified word count will be disqualified.) \nOur word limits are strict in each category. To calculate word counts\, we put your entire submission (including the title) into Microsoft Word and use Word’s word counter. Since Word only relies on spaces to delimit words\, any term containing a hyphen (“twenty-five”) or an apostrophe (“can’t”\, “don’t”) counts as a single word. Word also counts every article (“the”\, “a”\, etc.) as a separate word. Microsoft Word also automatically counts groups of characters (e.g. “xxx”) as well as symbols (e.g. “***” or “~~~”) as a word. \nParticipants may submit as many texts as they wish in one or all categories. A writer can win only one prize per category. Each text may be submitted to only one category. \nFor each manuscript entered\, participants must complete a separate official entry form and pay the entry fee. \nParticipants must verify the exact deadlines on the cbcbooks.ca website. Please note that CBC/Radio-Canada is permitted to modify these deadlines at any time. \nOnline submission: all works must be submitted and payments must be made on or before 11:59 PM (ET) on the day of the deadline. \nWinners will be announced approximately six months after the deadline for each competition. \nHOW TO SUBMIT\nAll submissions must: \n\nBe submitted online by creating an account through Submittable. Submittable is an external site designated by CBC/Radio-Canada to manage the submissions to the competition. They adhere to CBC’s privacy policy.\nBe accompanied by the official entry form and the parental permission (electronic or print version) if applicable\nBe submitted anonymously: the name of the entrant must not appear anywhere on the text to ensure the objectivity of the jury\nBe submitted in Word or Wordpad (.doc\, .rtf or .docx) format\, in letter format (8½” by 11”)\nBe double spaced\, except for poetry texts\nBe in a legible font and font size\nBe submitted to the correct category during the entry period for that category\n\nIf you are unable to submit your content online\, please contact the CBC Literary Prizes team to obtain an alternate form of entry. \nRestrictions: \n\nAll submissions are final: no changes or substitutions are allowed\nNo handwritten manuscripts or fax texts will be accepted\nTexts will not be returned and editorial comments will not be given on the works\n\nFees: \nA fee of $25.00 (taxes included) for administration purposes is required for each entry. The competition is 100% not-for-profit\, with all fees going towards covering administrative costs\, which include payment of readers and jurors of the competition. Participants are not eligible until payment of the registration fee has been received and cashed. The entry fee will not be refunded if your submission is ineligible. All submissions are final: entry fees are non-refundable and non-transferable. \nJUDGING\nWorks are judged anonymously on the basis of the participant’s use of language\, originality of subject and writing style. \nOnly the work submitted will be considered by the judges\, other documents\, images\, diagrams etc. are not eligible for consideration by the judges. \nSubmissions are processed by a two-tiered system in both languages (English\, French) by readers and jurors. \nThe initial texts are screened by readers chosen for each category from a group of qualified editors and writers across the country. Each text is read by two readers. \nThe English readers come up with a preliminary list of approximately 100 texts that are then forwarded to a second group of readers who will decide upon the approximately 30 entries that comprise the longlist and be forwarded to the jury. \nThe French readers come up with a longlist of approximately 20 texts that are forwarded to the jury. \nThe English and French juries will read all stories on the longlist and decide on a shortlist of five in each language\, which will include a first-place winner and four runners-up. The members of the jury (three per category) are composed of eminent writers and editors from the Canadian literary community. \nEvery effort is made to achieve a balance of gender and diversity in the readers and judges and to reflect regional differences and trends. The readers and jurors change every year and are based in different areas of the country. \nJurors and readers in each category will be chosen by CBC/Radio-Canada\, the Canada Council for the Arts and the Banff Centre. \nAll decisions by the readers and the jury are final (subject to meeting any conditions and eligibility criteria as determined by CBC). Readers’ names are confidential until the end of the competition to ensure the judging process remains blind. \nPRIZES\nCanada Council for the Arts will offer five cash prizes in each category and in each language: \n\nGrand Prize: $6\,000\nFour finalists will receive $1\,000 each\n\nMoreover\, the Grand Prize winner will receive a two-week residency at The Banff Centre approximately valued at $2\,500 which will include: \n\naccommodation and meals at The Banff Centre for two weeks;\n24-hour access to a studio; and\nopportunities to access Banff Centre events and performances for free.\n\nWinners must use their prize within two years of the prize award\, at a time mutually agreeable to the Banff Centre and the prize winner. This prize does not include travel costs to and from the residency at Banff. \nMoreover\, CBC/Radio-Canada will provide visibility to winners and their work on one or more of its platforms. \nParticipants may win only one prize per category. Participants maintain ownership of their works\, although rights to reproduce and distribute them to the public are limited by the licenses granted according to these rules. \nThe prize is not transferable and includes only what is specifically mentioned in these rules. If for any reason whatsoever\, the winner is unable to use the prize in whole or in part or is unwilling to accept or take advantage of the prize as described\, or a portion thereof\, the prize or portion thereof will be forfeited without compensation and CBC/Radio-Canada\, the Canada Council for the Arts\, The Banff Centre and their affiliated companies or agents\, as well as their respective directors\, officers and employees\, will be released from all obligations toward the winner with regards to the prize or portion thereof. \nIf a prize cannot be awarded as described in these rules\, CBC/Radio-Canada\, The Banff Centre and the Canada Council for the Arts reserve the right to substitute one or more prizes or prize components with another of approximately equivalent value. \nTo be proclaimed winners or finalists\, participants must meet all the conditions and eligibility criteria set out in these rules. The winners and finalists\, or in the of case minors\, their parents or guardians\, shall provide information requested by CBC in this regard\, and shall sign a declaration of eligibility for the competition\, as set out in these rules\, and release CBC/Radio-Canada\, the Canada Council for the Arts\, The Banff Centre and their affiliated companies or agents\, as well as their respective directors\, officers and employees\, from any liability for damage or loss whatsoever\, whether arising from the participants’ involvement in this competition or from the awarding\, acceptance or use of the prize. \nA winner’s refusal to accept a prize releases CBC/Radio-Canada\, the Canada Council for the Arts\, The Banff Centre and their affiliated companies or agents\, as well as their respective directors\, officers and employees\, from all obligations toward the winner. \nELIGIBILITY \nTexts submitted to CBC Literary Awards must be written in English (texts written in several languages and translations are not eligible). Texts written in French must be submitted to the Prix de la création Radio-Canada. \nCanadian citizens\, whether living in Canada or abroad\, and permanent residents of Canada are eligible to enter. \nFor any participant who has not reached the age of majority in his/her province or country of residence\, parental or guardian consent is necessary to enter the competition. \nPeople who work for CBC/Radio-Canada\, the Canada Council for the Arts\, the Banff Center\, their affiliates\, as well as the members of the jury and the selection committee (readers)\, as well as their immediate family (father-mother\, brother-sister\, son-daughter) and people living under the same roof during the registration period of the prize are not eligible for this prize. For example\, if one of the people listed above (immediate family or person living under the same roof as one of these people) works at one of the companies listed above during the registration period for the Short Story category but is no longer in the employ of this company during the registration period for the Poetry and Nonfiction Prizes\, they could participate in the Poetry and Nonfiction Prizes but not in Short Story. \nPreviously published participants may submit texts providing that the submissions are original unpublished works. There must be only one author per entry. \nAll works that have been published or broadcast are considered not eligible for the competition. \nRIGHTS\nParticipants warrant that the work they are submitting is an original and unpublished work written by them and that they own all rights to it. Participants will indemnify and hold CBC/Radio-Canada\, Banff Centre and Canada Council for the Arts and their affiliates\, harmless from and against any and all loss\, damage\, costs and other expense arising out of claims\, whatever their nature\, resulting directly or indirectly from breach of this warranty. \nParticipants submitting to the prize \nIn submitting their work\, each participant grants CBC/Radio-Canada (both for French and English services) the following licenses free of charge and irrevocably: \nThe right to translate an excerpt from the work submitted (no more than 15% of its total length)\nThe non-exclusive right to reproduce and publish an excerpt from the work submitted (no more than 15% of its total length) on the websites and platforms controlled or authorized by CBC/Radio-Canada\, both in the original language and in translation \nFinalists and winners\nIn accepting a prize\, the winners and finalists grant to CBC/Radio-Canada\, for the entire term of all rights\, the following licenses: \nThe right to translate the work\nThe right to reproduce and publish the work in all formats\, including on the websites and platforms controlled or authorized by CBC/Radio-Canada and on any future merchandise\, both in the original language and in translation; net income from any sale or exploitation of merchandise shall be split 50/50 between CBC/Radio-Canada and the participant or participants\nThe right to make an audio/video recording by means of any existing or not-yet-invented technology\, to distribute and broadcast readings of works or excerpts therefrom in the original language or in translation\, on CBC/Radio-Canada networks and websites/platforms controlled or authorized by CBC/Radio-Canada\nThe right to edit\, abridge or excerpt the work for the purposes of publication or broadcast. (The participant will be consulted if significant edits are necessary.) \nFor a purpose of clarity\, the Licenses granted to CBC/Radio-Canada by the finalists and winners are for all territories throughout the world (unless another agreement is reached with CBC/Radio-Canada) and are exclusive for a year from the date of acceptance of the prize and non-exclusive thereafter. Moreover\, the finalist and winners\, as well as the people accompanying them\, or their parents or guardians if the winners are minors\, shall agree\, if necessary\, to have their name and/or picture\, including their photograph and/or their voice used for advertising purposes related to this competition\, free of charge. \nThese licenses include the rights for CBC/Radio-Canada to grant sub-licences to exercise the rights granted by this licence. \nRead full guidelines here. \nhttps://www.cbc.ca/books/literaryprizes/cbc-literary-prizes-rules-regulations-1.4090957
URL:https://anovelapproach.ca/submission_calendar/event/n-cbc-nonfiction-prize/
LOCATION:Through Submittable
CATEGORIES:Contest
ATTACH;FMTTYPE=image/png:https://anovelapproach.ca/submission_calendar/wp-content/uploads/2021/10/cbc.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220228
DTEND;VALUE=DATE:20220301
DTSTAMP:20220207T015127Z
CREATED:20220207T014956Z
LAST-MODIFIED:20220207T015127Z
UID:738-1646006400-1646092799@anovelapproach.ca
SUMMARY:F - #FlashFiction101 Competition.  Theme: Your Character Wakes Up Next to a Stranger
DESCRIPTION:INTRODUCTION & DETAILS \n\n\n#FlashFiction101 is now in its second year and we’re stepping up our game.​ \nKey Information \n– The winner will have their story published online\, along with their biography and links to any other work. \n– The winning entry will be included in the shortlist for the annual competition in June 2022. \n– The winning entries for each quarter will be published in the printed Chiasmus Journal as well as online. \n– Entries that are shortlisted will be recognised and published online. \n– Entry to the competition is and always will be free. Applicants are able to make donations to help us continue running #FlashFiction101. Donations and entries are not linked and form no part of the judging process. \n  \n\n\nRULES & FORMATTING\n\n\n\n\n\nRULES​ \n\n\nAuthors must be 16 years of age or over at the time of submitting their story. \n\n\nEntry is open to everyone; locally\, nationally and internationally\, but entries must be written in English. \n\n\nAll entries must be the original and individual work of entrant. \n\n\nEntries must not have been previously published in print or online\, been broadcast or won a prize. \n\n\nEntries can be and genre or theme. They must also be for adult or young adult readers. Non-fiction and fiction written for children under 13 years of age is not eligible. We are hoping to bring further competitions that focus on writing for children soon. \n\n\nSimultaneous submission is permitted. Should your fiction win a prize or be published elsewhere\, please get in touch so that we may remove your entry. \n\n\nAuthors retain full worldwide copyright throughout. \n\n\nEntrants may submit as many entries as they like\, but may only submit each individual piece of work once in a twelve month period. \n\n\nFORMATTING \n1. The exact length of the story must be 101 words\, title excluded. \n2. Entries should be typed in a plain legible font. \n3. All entries (excluding the annual competition shortlist) will be read and judged anonymously. Please do not include your name\, address\, email\, telephone number or any personally identifying information on any page of your uploaded file. \n4. Acceptable file types are odt\, doc\, docx\, txt and pdf. \n5. The file name must be the title of your piece. If your piece does not have a title\, then the file name must be the first five words of your story. \n​ \nSUBMISSIONS \n1. Submission can only be made online\, using the Submissions Form. No postal entries will be accepted. \n2. No alterations or corrections may be made after you have submitted your work. You may remove your work from consideration but you will not be able to enter the same work again for a period of 12 months. \n3. There is no limit to the number of entries and entrant may submit.
URL:https://anovelapproach.ca/submission_calendar/event/f-flashfiction101-competition-theme-your-character-wakes-up-next-to-a-stranger/
LOCATION:FlashFiction101
CATEGORIES:Contest
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220228T080000
DTEND;TZID=America/Toronto:20220228T170000
DTSTAMP:20220131T210237Z
CREATED:20220131T210237Z
LAST-MODIFIED:20220131T210237Z
UID:689-1646035200-1646067600@anovelapproach.ca
SUMMARY:FN - Stonecrop Review Call for Submissions.  Theme: "Flora"
DESCRIPTION:Issue 5 – Flora \nFrom weeds pushing their way up through cracks in the pavement to wildflowers planted along roadsides\, from potted plants on your balcony to trees providing shade in the park\, plants can shape urban landscapes. They can provide oases of calm in a bustling city; yet their roots can also wreak havoc as they crack open roads or disrupt pipelines. A fruit tree might be a delicious treat\, or a messy nightmare. We can’t wait to read your stories about the plants you experience in your city! The submission period for this issue is 1 December 2021–28 February 2022. \nNote: please do not send submissions outside of the submission windows\, they will be deleted. \n \nGeneral submission guidelines \nPlease note: we are fine with simultaneous submissions\, just let us know in your email and inform us if your piece gets published elsewhere in the mean time. We are only interested in pieces that have not previously been published elsewhere. If your piece has been significantly revised (e.g. a short blog post has been expanded into a longer essay) we may consider it\, but please let us know in your email and send a link to the previous publication. If you are not successful in this submission window\, we encourage you to submit again\, but please submit a different piece! \n \nCreative Non-Fiction and Fiction \nWe’re looking for creative pieces that include your voice\, so no nonfiction (e.g. scientific papers\, biographies etc). \n\nWe welcome pieces of between 500 to 5000 words in length\nPlease submit word documents in 12 pt\, Time New Roman\, double spaced\nPlease use your name as the name of the file e.g. Leonard_Dubkin.doc\nInclude a short 50 word\, third-person biography and a photo of yourself with your submission\nDepending on the length of your piece we will accept up to 3 submissions per submission period\, as long as the total word count does not exceed 5000 words\nEmail submission to: stonecrop.review@gmail.com
URL:https://anovelapproach.ca/submission_calendar/event/fn-stonecrop-review-call-for-submissions-theme-flora/
LOCATION:Stonecrop Review
CATEGORIES:Call for Submission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220228T080000
DTEND;TZID=America/Toronto:20220228T170000
DTSTAMP:20220131T211939Z
CREATED:20220131T211939Z
LAST-MODIFIED:20220131T211939Z
UID:693-1646035200-1646067600@anovelapproach.ca
SUMMARY:PFN - 3cents Magazine's Call for Submissions.  Theme: "Family"
DESCRIPTION:Open for Submissions!\nIssue Theme: Family \nDeadline: February 28\, 2022 \nIssue three is focusing in on family. As far as themes go\, we’re hoping the pieces we read this round are as diverse\, chaotic\, inspiring\, and complex as families can be. Remember that at 3cents Magazine we are looking for writing that can enter into a conversation with two other pieces\, which is another way of saying we are looking for works that have something to say. \nWe will publish a minimum of one “mini collection” but are open to several depending on the quality and quantity of submissions. We encourage you to submit work that pushes the boundaries of this issue’s theme. \nBe sure to read Issue 1 and Issue 2 to better understand how and what we publish. As always\, we are looking for poetry\, fiction/flash fiction\, and creative nonfiction. \n3cents Magazine‘s Submittable subscription is sponsored by Proximity Magazine.
URL:https://anovelapproach.ca/submission_calendar/event/pfn-3cents-magazines-call-for-submissions-theme-family/
LOCATION:3cents Magazine
CATEGORIES:Call for Submission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220228T080000
DTEND;TZID=America/Toronto:20220228T170000
DTSTAMP:20220219T224355Z
CREATED:20220212T010805Z
LAST-MODIFIED:20220219T224355Z
UID:757-1646035200-1646067600@anovelapproach.ca
SUMMARY:P - Call for Submissions to FERAL.  Theme: "Time"
DESCRIPTION:Submissions\n\n\nSubmissions to FERAL: A Journal of Poetry & Art are currently OPEN! \n\nPhoto by Tim Mossholder on UnsplashCall\n\n\n\nWe’re open for submissions! The theme of our next issue is TIME. \nIsn’t it fascinating to think about the concept of time? It’s unique in the sense that all of us have the same amount of time in a day. But as you know all too well\, some people just seem to know how to make better use of it than others. At times\, it feels like you need more than 24 hours to get everything done. And during those fleeting moments when you clear your mind\, you realize that you’re in an endless race against time. \nPerhaps the best way to appreciate the value of time is to slow down. The clock will continue ticking\, but being mindful of every second allows you to identify the people\, things\, and activities that deserve most of your time. \nAnd while you’re at it\, you might want to listen to timeless hits\, many of which are actually songs about time. There are tons of songs with time in their titles\, and it’s interesting to dissect the distinctive message of each song. Some of them serve as reminders to take things easy and treasure what truly makes us happy. Others talk about how time is the only cure for the most painful wounds. Still\, some songs simply tell us to live in the moment. \nTo kick your thinking beanies into gear\, here’s a cool list of songs with TIME in the title! \n“One Moment in Time” by Whitney Houston\n“Time After Time” by Cyndi Lauper\n“Love me Two Times” by The Doors\n“Time is on my Side” by The Rolling Stones\n“Does Anybody Really Know What Time it is?” by Chicago\n“Time of my Life” by David Cook\n“Any Time at all” by The Beatles\n“Too Much Time on my Hands” by Styx\n“Old Time Rock n Roll” by Bob Seger\n“Times Like These” by Foo Fighters\n“Remember the Time” by Michael Jackson\n“One More Time” by Daft Punk\n“All This Time” by Sting\n“As Time Goes By” by Jimmy Durante\n“Haven’t Got Time for the Pain” by Carly Simon\n“Let the Good Times Roll” by BB King\n“Time” by Hootie & The Blowfish\n“Same Time” by The Script\n“Somewhere in Time” by John Barry\n“Last Time” by Reece\n“Take Your Time” by Sam Hunt\n“Wasting my Time” by Insomnia & Resident\n“A Thousand Bad Times” by Post Malone\n“So Little Time” by Arkarna \n(See the full list here…) \nAs long as your submissions consider TIME in some way\, we wanna see them! Check out our general info below for details on how to submit. \n\nGeneral Submission Guidelines: FERAL: A Journal of Poetry & Art \nWe’ve made some changes to our guidelines so please read all the information below.  \nWhat we are looking for: We want your brave\, your pain\, your love\, your teeth\, your howling beast. All styles\, forms and schools of poetry are welcome.\nPlease note that at the core of both FERAL and Animal Heart press is love. Although we wish it didn’t need to be said\, we will not accept any work that is racist\, homophobic\, sexist or discriminatory. We are committed to publishing a variety of new\, emerging and established voices. Further\, we are committed to inclusion and equity in publishing. We highly encourage submissions from underrepresented voices including\, but not limited to: women\, BIPOC\, LGBTQIA+\, and neurodivergent individuals. International submissions are welcome\, but we are only considering work in English at this time; no translations.\nFERAL nominates for the Best of the Net and the Pushcart Prize. \nSubmissions should be sent to: feralpoetryandart[AT]gmail[DOT]com\nIn the subject line of your email please type: LAST NAME – TYPE OF SUBMISSION (for example: GORDON – POETRY).\nCover Letters: We’ve heard you loud and clear about how daunting many of you find writing cover letters\, so they are no longer required.\nIf you want to include a cover letter we’d like to know a little about you (this is not your bio but rather an introduction to you as a human/poet/artist). At a minimum\, in the body of your email\, please provide your name and preferred pronouns. \nPOETRY:\nFor poetry submissions\, please submit 1-4 poems and attach your submission in a single document (doc. docx. pdf.) Please do not put your name or any identifying information on the submission. We will consider all forms of poetry including erasure poetry and visual poetry – surprise us!
URL:https://anovelapproach.ca/submission_calendar/event/p-call-for-submissions-to-feral-theme-time/
LOCATION:FERAL: A Journal of Poetry & Art
CATEGORIES:Call for Submission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220228T080000
DTEND;TZID=America/Toronto:20220228T170000
DTSTAMP:20220213T193730Z
CREATED:20220213T193730Z
LAST-MODIFIED:20220213T193730Z
UID:761-1646035200-1646067600@anovelapproach.ca
SUMMARY:PFN - 2022 SWHNM Mentorship Program: Call for Applications
DESCRIPTION:DVAN NEWS\n\n\n\n2022 SWHNM Mentorship Program: Call for Applications\n\n\n\n\n\n\n\n\nJan 16\, 2022\n\n\n\n\n\n\n\nShe Who Has No Master(s)\, image from “Yellow Echoes” project in progress\, 2021\nShe Who Has No Master(s) is initiating a creative writing mentorship program led by and designed for Vietnamese and SE Asian diasporic women and nonbinary writers. The centering of this perspective is important because in most educational settings the focus on subject matter and perspectives of women/nonbinary SE Asian diasporic women is marginal\, if not totally unaddressed. In creating educational spaces that center those viewpoints\, we create a nourishing space in which aspiring writers can see themselves\, explore\, and embrace their own particularities\, and create more expansively. These mentorships will address both creative and professional aspects involved in the writing life. These offerings fulfill a dire contemporary need in our nation’s current environment for creative writing education. \nMentorship courses will be formatted in a “low-residency” style\, of monthly mentorship “packet” exchanges (via email and online i.e. video chat correspondences) between mentors and mentees/writing students\, from May to August 2022. For our inaugural year\, in order to work within limitations and uncertainties presented by public health concerns\, this will be a remote-only mentorship course. Applicants may be located anywhere in the world (but must be willing to schedule with a mentor based in US and Canada time zones). \nMentorship is designed so that each student receives intensive one-on-one guidance from their mentor. Mentees and mentors will also convene online in several group sessions\, where mentees will get to interact\, share creative work\, and discuss aspects of craft with their peers and the other mentors. Mentees should be passionate and committed to exploring creative writing\, ready to generate new creative work\, engage in revision processes\, and capable of working both independently as well as from writing prompts given by mentors. Mentors will work with mentees to tailor creative writing guidance that meets the mentees’ specific interests and needs. \nThe mentors for our inaugural 2022 mentorship program will be: Diana Khoi Nguyen\, Hoa Nguyen\, Lily Hoang\, and Vi Khi Nao. \nIf you are selected for a mentorship\, you will receive 4 months of tuition-free mentorship\, an extremely unique opportunity for mentees to work closely with distinguished\, award-winning women writers of the Vietnamese diaspora. Our first cohort will engage 4 students and 4 mentors. \nApplication Guidelines\n\n\nTo apply\, please register here and pay the $25 application fee before February 28\, 2022. \nThen\, send the following applications materials to she.who.has.no.masters@gmail.com: \n\nStatement of purpose / interest in this program [up to 500 words]:\n\nHow will this program benefit your writing life? What do you hope to receive from this course?\nWhat type of work have you made / wish to make / are interested in exploring?\nTell us what it means for you to be a diasporic writer or artist.\n\n\nCreative resume / CV (indicating MFA and/or publishing history\, if applicable)\nWork Sample:\n\n10-20 pages of content total\, in one or a mixture of genres (example: you may submit 10 pages of textual material + 10 min. of video or audio; or 15 pages of poetry + a 5-min. video; etc.)\nOpen to any genre: poetry\, prose (fiction\, creative nonfiction)\, hybrid\, multimedia\, etc.\nIf supplying video or audio material\, up to 10 minutes total\nIf supplying text and/or image\, must be formatted to the page (PDF file preferred)\, 10-20 pages total\nEach file should indicate your full name and the file subject. For example: “JaneNguyen_Statement” “JaneNguyen_Resume” “JaneNguyen_WorkSample”\n\n\n\nNote: To send us video\, audio or other media files\, please provide a work sample item sheet that includes links (i.e. Vimeo\, YouTube) to where the material can be seen/heard. Using timecode\, indicate exactly which portion of the media you would like us to review\, if the existing link contains more than the allotted 10 minutes of material. Or\, by default\, we will review the first 5-10 min. of material. \nIf you have questions or issues regarding how to send us your application materials\, or if you are in need of an application fee waiver\, please DM us at: she.who.has.no.masters@gmail.com
URL:https://anovelapproach.ca/submission_calendar/event/pfn-2022-swhnm-mentorship-program-call-for-applications/
LOCATION:DVAN
CATEGORIES:Call for Submission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220228T080000
DTEND;TZID=America/Toronto:20220228T170000
DTSTAMP:20220216T233617Z
CREATED:20220216T233139Z
LAST-MODIFIED:20220216T233617Z
UID:772-1646035200-1646067600@anovelapproach.ca
SUMMARY:PF - Sandcrab Books Call for Submissions.  "101 Portraits"
DESCRIPTION:101 Portraits \nSandCrab Books along with the Canada Cuba Literary Alliance CCLA and its affiliate\, CCLA Federation of\nPhotography\, are looking for poems\, micro prose and photographs that explore and navigate the theme\nof portraits to be included in an upcoming eBook of photographs and poetry\, edited by poetry Editor\,\nAntony Di Nardo\, and photography Curator\, Wency Rosales. \nSee samples of our photography/ Poetry eBooks at:\nTrue Identity – https://issuu.com/richardgrove1/docs/book_‐_true_identity_‐_editor_april_bulmer_‐_book_\nIn Silence We Wait – https://issuu.com/richardgrove1/docs/book_‐_in_silence_we_wait_‐_2020_into_2021_‐_book_\nAND you can click here and find the CCLA newsletter and other eMags: https://issuu.com/richardgrove1 \nPublication in Spring of 2022 \nFor your poem and your micro prose feel free to interpret the theme as broadly as\npossible — a family portrait framed in couplets\, a profile sketched in single syllables\, a lyrical snap\, the\nselfie as distortion\, or even a sweeping epic­pic.\nPortraits capture our human essence\, our longings and desires\, both our comic and tragic sensibilities.\nPortraits can project our innermost and outermost dimensions. Portraits put a stamp on identity as well\nas mark a “Wanted” poster. A portrait can be either biographical or unreal\, domestic or surreal. Think\nSelf‐portrait in a Convex Mirror. Think Picasso. Think Lucian Freud. Think Yousuf Karsh or Annie Leibowitz.\nThink all that words can do when a picture is only worth a thousand!\nSend up to 3 poems and a brief 50­word bio to poetsonaplane@gmail.com by Monday\, February 28\, 2022. \nSubmission Info:\n– Submissions will be accepted on the topic of Portraits – interpret the theme as broadly as\npossible (See description above).\n– Submissions in English only.\n– Include your name\, email address\, your mailing address in a MS Word document attachment.\n– Send 3 poems maximum.\n– Send a 50­word bio with your submissions in the same MS Word document attachment.\n– Send your poetry submission as an attachment – one attachment only – including all your\npoems in one document. NOT in the body of the email.\n– Previously unpublished work only. \nSubmission Size:\n– Poetry – maximum 60 lines including title and line spaces\n– maximum 50 characters and spaces per line\n– Haiku – maximum 12 haiku\n– Micro Prose – maximum 300 words\nDeadline: February 28\, 2022\nWhere to send your submission:\nSend your poetry\, haiku and micro prose by email to Editor:\nAntony Di Nardo – poetsonaplane@gmail.com\nSend all text for your submission as a MS Word document attachment only.\nCopyright: Authors and photographers will retain copyright of their own work.\nCompensation: Because this is a fundraiser for the CCLA\, authors will not receive a free copy if we\npublish a printed book. The eBook will be free. Stay tuned for printing details after the eBook is\npublished.\nNo Submission Fee: There is no reading or submission fee for this anthology.
URL:https://anovelapproach.ca/submission_calendar/event/pf-sandcrab-books-call-for-submissions-portraits/
LOCATION:Sandcrab Books
CATEGORIES:Call for Submission
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