{"id":4828,"date":"2024-04-07T13:15:46","date_gmt":"2024-04-07T17:15:46","guid":{"rendered":"https:\/\/anovelapproach.ca\/submission_calendar\/?post_type=tribe_events&p=4828"},"modified":"2024-04-07T13:15:46","modified_gmt":"2024-04-07T17:15:46","slug":"p-call-for-submissions-to-songs-of-eretz-poetry-review-theme-respond-to-keatss-ode-on-a-grecian-urn","status":"publish","type":"tribe_events","link":"https:\/\/anovelapproach.ca\/submission_calendar\/event\/p-call-for-submissions-to-songs-of-eretz-poetry-review-theme-respond-to-keatss-ode-on-a-grecian-urn\/","title":{"rendered":"P – Call for Submissions to Songs of Eretz Poetry Review. Theme: Respond to Keats’s “Ode on a Grecian Urn”"},"content":{"rendered":"

<\/a><\/p>\n

WHAT WE WANT TO READ IN RESPONSE<\/p>\n

\u00a0to<\/p>\n

Keats\u2019s \u201cOde on a Grecian Urn\u201d<\/p>\n

\n

John Keats\u2019s masterpiece, “Ode on a Grecian Urn” explores human emotions and the enduring power of art. For our next issue, we are not looking for paraphrases or explanations of his ode. Rather, we want poems that spring from Keats\u2019s vision.<\/p>\n

\n

One possible prompt is to use a line or part of a line as an epigraph and to go from there.\u00a0 Another prompt is to write into one of Keats\u2019s themes, such as the immortality of art, or how a poem (like a vase) is a unit unto itself.\u00a0 A poem is static in that it has been given a finished form, but the images within the poem can seem quite active.<\/p>\n

\n

Of course, a writer could also dive deep into Keats\u2019s famous line, \u201cBeauty is truth, truth beauty.\u201d\u00a0 We must see some connection to Keats\u2019s poem, but the connection need not be overtly obvious.\u00a0 Surprise us!<\/p>\n

HOW TO SUBMIT<\/strong><\/h1>\n

Failure to follow these simple guidelines will result in your submission being discarded or returned to you unread!<\/strong><\/h1>\n
    \n
  1. Please resist the urge to include anything with your submission that we do not specifically request<\/strong>,\u00a0<\/u>especially your bio<\/u>\u00a0<\/strong>(we like to read as blindly as possible), credits (we treat the novice and the experienced equally), or explanatory notes (if you believe your poem requires an explanation, please revise it until it doesn’t).<\/li>\n<\/ol>\n

    \u00a0<\/strong><\/p>\n

      \n
    1. Submit up to THREE poems\u00a0<\/strong>to: \u00a0<\/strong><\/li>\n<\/ol>\n

      submissionssofe@gmail.com<\/strong><\/p>\n

      There is no fee to submit.
      \n<\/strong><\/p>\n

      \u00a0<\/strong><\/p>\n

        \n
      1. Your Subject Line\u00a0<\/strong>should be formatted as follows: \u00a0[Poetry Submission][Title][Specific Form of poem, such as Free Verse or Shakespearean Sonnet<\/em>]<\/strong>[Poet’s Last Name].<\/li>\n<\/ol>\n
          \n
        1. If you are submitting more than one poem, each should appear in a separate email, and each email should include a separate cover letter.\u00a0\u00a0<\/strong>If your poem has multiple numbered sections, each section will “count” as ONE poem. \u00a0If your poem contains more than three sections, query first.<\/li>\n<\/ol>\n

          \n

            \n
          1. 5<\/strong>. Your\u00a0poem(s) must appear in the body of your email(s<\/strong>). \u00a0WE DO NOT ACCEPT ATTACHMENTS FOR POETRY.\u00a0\u00a0If your poem needs to be presented in an attachment due to special formatting, query first.
            \n6<\/strong>.Include a cover letter in the body of your email(s) with answers to the following questions<\/strong><\/li>\n<\/ol>\n

            (and\u00a0remember NOT to include a biography at this process stage<\/u>):<\/strong><\/p>\n

            –\u00a0Is yours a\u00a0simultaneous submission<\/strong>\u00a0or not?\u00a0\u00a0We DO accept them.<\/p>\n

            –\u00a0How did you discover\u00a0Songs of Eretz?<\/strong><\/p>\n

            –\u00a0How would you like us to indicate your name if we publish your work (ie:\u00a0your byline,<\/strong>\u00a0for example, “By Sammie Smith”)? \u00a0NOTE: \u00a0We do NOT accept work composed by a collaboration of poets or artists.<\/p>\n

            –\u00a0What is your\u00a0contact information<\/strong>?\u00a0\u00a0Include at least your city & state. \u00a0Include your country if you reside outside of the United States. \u00a0It is strongly recommended that you include your phone number as well, in case we need last-minute input from you (this has happened).<\/p>\n

              \n
            1. Reprint Policy:<\/strong>We\u00a0DO NOT\u00a0accept previously published work.<\/li>\n
            2. Simultaneous Submissions Policy:<\/strong>We accept sim subs.
              \n Multiple Submissions Policy:\u00a0<\/strong>Please wait until after your poem(s) is\/are published in or rejected by Songs of Eretz before sending more.<\/li>\n<\/ol>\n
                \n
              1. Response Time:\u00a0<\/strong>Please query if you have not received at least a preliminary response in twenty-onecalendar days.\u00a0\u00a0We no longer offer editorial feedback.<\/em><\/li>\n<\/ol>\n
                  \n
                1. Rights To Your Poetry:\u00a0<\/strong>If your work is accepted and you agree to join the ranks of the other fine poets who have been published in\u00a0Songs of Eretz Poetry\u00a0Review,<\/em>your work will appear in the quarterly issue for which it was submitted. In exchange, you will grant Songs of Eretz the first worldwide publication rights, first worldwide electronic rights, non-exclusive archival rights in perpetuity, non-exclusive anthology rights in perpetuity, and\u00a0non-exclusive reprint rights in perpetuity.<\/li>\n<\/ol>\n

                  \nAll other rights will revert to you upon publication, but we would appreciate the courtesy of allowing Songs of Eretz an exclusive for a few months if that is not too much trouble.<\/p>\n

                  \u00a0 \u00a0 \u00a0Acknowledgement:<\/strong>We expect to be acknowledged as the venue of the\u00a0firstpublication should you reprint your work.<\/p>\n

                    \n
                  1. Published Format<\/strong>:\u00a0 Songs of Eretzreserves the right to make the editorial decision to publish any poem aligned left, right, or centered. If your poem is concrete or requires a special format, please query first.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

                    John Keats\u2019s masterpiece, “Ode on a Grecian Urn” explores human emotions and the enduring power of art. For our next issue, we are not looking for paraphrases or explanations of his ode. Rather, we want poems that spring from Keats\u2019s vision.\u00a0<\/p>\n","protected":false},"author":4,"featured_media":0,"template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[2],"class_list":["post-4828","tribe_events","type-tribe_events","status-publish","hentry","tribe_events_cat-call-for-submission","cat_call-for-submission"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events\/4828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/users\/4"}],"version-history":[{"count":1,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events\/4828\/revisions"}],"predecessor-version":[{"id":4829,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events\/4828\/revisions\/4829"}],"wp:attachment":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/media?parent=4828"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tags?post=4828"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events_cat?post=4828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}