{"id":6295,"date":"2024-12-29T19:19:12","date_gmt":"2024-12-30T00:19:12","guid":{"rendered":"https:\/\/anovelapproach.ca\/submission_calendar\/?post_type=tribe_events&#038;p=6295"},"modified":"2024-12-29T19:22:20","modified_gmt":"2024-12-30T00:22:20","slug":"pfn-in-the-mood-magazine-seeking-submissions-on-the-theme-the-future","status":"publish","type":"tribe_events","link":"https:\/\/anovelapproach.ca\/submission_calendar\/event\/pfn-in-the-mood-magazine-seeking-submissions-on-the-theme-the-future\/","title":{"rendered":"PFN &#8211; In The Mood Magazine Seeking Submissions on the Theme: The Future"},"content":{"rendered":"<p><strong>Our last issue was out of the past\u2026 now we\u2019re heading into the future.<\/strong>\u00a0From sci-fi (<em>A.I. Artificial Intelligence<\/em>) to utopian\/dystopian (<em>Born in Flames<\/em>), in places near (<em>Her<\/em>) or far (<em>Solaris<\/em>), for our 12th issue we\u2019re looking for experimental criticism on any films, TV, or music videos set in or that engage with\u00a0<strong>the future<\/strong>\u00a0\u2728 If you need some inspiration, check out\u00a0<a class=\"text-style-link is-red\" href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_films_set_in_the_future\">this comprehensive list<\/a>!<\/p>\n<p><strong>\ud83d\udca1 Some topics and films we\u2019d love to see pitches for:<\/strong><\/p>\n<p>&#8211;\u00a0Focus on specific sci-fi fashion, food, technology, and\/or architecture<br \/>\n&#8211; Films set in the future (<em>Robocop, High Life,<\/em>\u00a0<em>Strange Days, Gattaca<\/em>) or near future (<em>The Purge, Ghost in the Shell, Moon<\/em>)<br \/>\n&#8211; Apocalyptic\/post-apocalyptic (<em>The Happening,<\/em>\u00a0<em>Children of Men, The Terminator, The Falls<\/em>\u00a0(1980)<em>, I Am Legend<\/em>)<br \/>\n&#8211; Climate change\/\u201ccli-fi\u201d themes (<em>The Day After Tomorrow, Silent Running, Beasts of the Southern Wild<\/em>)<br \/>\n&#8211; Arthouse\/experimental\/video art (<em>Planet Heaven<\/em>\u00a0(2022),\u00a0<em>Liquid Sky,<\/em>\u00a0Ryan Trecartin, Hito Steyerl)<br \/>\n&#8211; Retrofuturism (<em>Heart of the World<\/em>,\u00a0<em>Metropolis, Death Race 2000<\/em>)<br \/>\n&#8211; Film technology (A.I., CGI, 3D, LED walls)<br \/>\n&#8211; Aliens (<em>Close Encounters of the Third Kind, Attack the Block<\/em>,\u00a0<em>The Man Who Fell to Earth<\/em>\u00a0(1976),\u00a0<em>Under The Skin, Nope<\/em>)<br \/>\n&#8211; Time travel (<em>Arrival, Edge of Tomorrow, The Beast<\/em>)<br \/>\n&#8211; Music videos (Britney Spears &#8211; Oops!\u2026I Did It Again, Missy Elliott &#8211; Sock It 2 Me, Backstreet Boys &#8211; Larger Than Life, Lil Nas X &#8211; Panini, Massive Attack &#8211; Voodoo In My Blood)<br \/>\n&#8211; TV (<em>Star Trek, The X Files, Westworld, Severance<\/em>)<br \/>\n&#8211; Box office bombs (<em>Event Horizon, John Carter, Battleship<\/em>)<\/p>\n<p>Keep in mind\u00a0<strong>we generally focus on films made post-1970.<\/strong>\u00a0And you can\u00a0<a class=\"text-style-link is-red\" href=\"https:\/\/www.inthemoodmagazine.com\/past-issues\" target=\"_blank\" rel=\"noopener\">check out our past issues<\/a>\u00a0to see if we&#8217;ve already covered your film!<\/p>\n<h4 class=\"heading-large-h2\"><strong>What we publish<\/strong><\/h4>\n<p class=\"text-size-medium\">We\u2019re looking for writers with a distinctive voice, who aren&#8217;t afraid of getting personal, and who are curious about why we watch what we watch. We appreciate thoughtful analysis but also a playful tone; we want intelligent pieces that aren&#8217;t too full of themselves. We don&#8217;t think of ourselves as an authority, but a confidante.<\/p>\n<h4 class=\"heading-large-h2\"><strong>How to submit<\/strong><\/h4>\n<p class=\"text-size-medium\"><strong class=\"heading-medium-h3\">\u200d<\/strong><strong>We strongly prefer completed pieces (max 1,000 words)<\/strong>, but we understand that writing on spec is not a realistic prospect for many writers. With that in mind, we still accept pitches.<\/p>\n<p>\ud83d\udc47\u00a0<strong>Please include:<br \/>\n\u200d<br \/>\n\u200d<\/strong>&#8211; Completed piece (doesn&#8217;t need to be perfectly polished!)<br \/>\n\u200d<strong>OR<\/strong><strong>\u00a0if you\u2019re pitching:<\/strong>\u00a0a short paragraph on the piece (topic, format)<br \/>\n&#8211; Why you think this is a good fit for<em>\u00a0In The Mood<br \/>\n\u200d<\/em>&#8211;\u00a0<strong>If pitching:<\/strong>\u00a01-2 writing samples (they don\u2019t need to be published)<br \/>\n&#8211; Short bio or link to your website<\/p>\n<h4 class=\"heading-large-h2\"><strong>Send submissions &amp; queries to:<\/strong><\/h4>\n<p class=\"text-size-medium spacing-clean\"><a class=\"text-style-link is-red\" href=\"mailto:inthemoodmagazine@gmail.com\">inthemoodmagazine@gmail.com<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For our 12th issue we\u2019re looking for experimental criticism on any films, TV, or music videos set in or that engage with\u00a0the future.\u00a0<\/p>\n","protected":false},"author":4,"featured_media":0,"template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[2],"class_list":["post-6295","tribe_events","type-tribe_events","status-publish","hentry","tribe_events_cat-call-for-submission","cat_call-for-submission"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events\/6295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/users\/4"}],"version-history":[{"count":2,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events\/6295\/revisions"}],"predecessor-version":[{"id":6298,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events\/6295\/revisions\/6298"}],"wp:attachment":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/media?parent=6295"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tags?post=6295"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events_cat?post=6295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}