{"id":7262,"date":"2025-08-22T17:36:03","date_gmt":"2025-08-22T21:36:03","guid":{"rendered":"https:\/\/anovelapproach.ca\/submission_calendar\/?post_type=tribe_events&#038;p=7262"},"modified":"2025-08-22T17:36:03","modified_gmt":"2025-08-22T21:36:03","slug":"p-frontier-poetrys-2025-myths-fables-prize-theme-myths-fables","status":"publish","type":"tribe_events","link":"https:\/\/anovelapproach.ca\/submission_calendar\/event\/p-frontier-poetrys-2025-myths-fables-prize-theme-myths-fables\/","title":{"rendered":"P &#8211; Frontier Poetry&#8217;s 2025 Myths &#038; Fables Prize. Theme: Myths &#038; Fables"},"content":{"rendered":"<h2>The 2025 Myths &amp; Fables Prize<\/h2>\n<p>In our continued celebration of imagination, storytelling, and the power of archetype,<em>\u00a0Frontier Poetry<\/em>\u00a0is thrilled to announce the\u00a0<strong>Myths &amp; Fables Prize<\/strong>. In her poem \u201cCirce\u2019s Power,\u201d Louise Gl\u00fcck invokes the voice of the sorceress:\u00a0<em>\u201cI never turned anyone into a pig. \/ Some people are pigs; I make them \/ look like pigs.\u201d<\/em>\u00a0With chilling clarity, she peels back the veil of fantasy to reveal something deeply human\u2014desire, illusion, transformation. These ancient tales, passed down through firelight and ink, still echo in our modern hearts.<\/p>\n<p>We invite you to lend your voice to this lineage.\u00a0<strong>The 2025 Myths &amp; Fables Prize<\/strong>\u00a0seeks poems that engage with mythological figures, cultural lore, personal legends, and reimagined fairy tales. Whether you\u2019re unearthing stories from your heritage, wrestling with gods and monsters, or crafting your own fable from the smoke of memory\u2014send us work that is fearless, lyrical, and rich in poetic craft.<\/p>\n<p>We welcome traditional retellings and radical departures. Invented myths, fractured fairy tales, elegies for forgotten heroes, or whispered epics\u2014let your poetry become the spell.<\/p>\n<p><em>Frontier Poetry<\/em>\u00a0warmly encourages submissions from poets of all identities, cultural backgrounds, and traditions. We are especially interested in work that explores underrepresented mythologies and stories not often given space in the Western literary canon.<\/p>\n<p>Guest judge Jennifer Chang will select the winners. The first-place winner will receive $<strong>3000<\/strong>\u00a0and publication. The second- and third-place winners will receive $<strong>300\u00a0<\/strong>and $<strong>200,<\/strong>\u00a0respectively, along with publication. All finalists will be considered for paid publication in New Voices.<\/p>\n<p>Let the myths rise.<\/p>\n<p>Further reading for inspiration can be found here:<\/p>\n<ul>\n<li><a class=\"link-color sbm-text link accessible-link\" href=\"https:\/\/www.poetrynook.com\/poem\/circes-power\" target=\"_blank\" rel=\"noopener\"><u>Circe&#8217;s Power by Louise Gluck<\/u><\/a><\/li>\n<li><a class=\"link-color sbm-text link accessible-link\" href=\"https:\/\/poems.com\/poem\/fable-for-a-genome\/\" target=\"_blank\" rel=\"noopener\"><u>Fable for a Genome by Heather Green<\/u><\/a><\/li>\n<li><a class=\"link-color sbm-text link accessible-link\" href=\"https:\/\/www.unwovenlitmag.com\/andrebarkerjr-olafaleti\" target=\"_blank\" rel=\"noopener\"><u>The Uncursing of the Medusa by Ola Faleti<\/u><\/a><\/li>\n<li><a class=\"link-color sbm-text link accessible-link\" href=\"https:\/\/www.poetryfoundation.org\/poems\/160560\/refusing-eurydice\" target=\"_blank\" rel=\"noopener\"><u>Refusing Eurydice by Ladan Osman<\/u><\/a><\/li>\n<li><a class=\"link-color sbm-text link accessible-link\" href=\"https:\/\/www.poetryfoundation.org\/poems\/162074\/at-ithaca\" target=\"_blank\" rel=\"noopener\"><u>At Ithaca by Hilda Doolittle (H.D)<\/u><\/a><\/li>\n<li><a class=\"link-color sbm-text link accessible-link\" href=\"https:\/\/www.poetryfoundation.org\/poems\/1588697\/conjuring\" target=\"_blank\" rel=\"noopener\"><u>conjuring by Xiao Yue Shan<\/u><\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>What Chang Is Looking For:<\/h3>\n<blockquote><p>I admire most the poems that invite me to feel and think something new. Startling, yet precise language moves me. Whatever expands my imagination, suddenly alters the weather (emotional, \u00a0meteorological), stops time, and\/or brings me closer to a truth, I welcome. I am open to and curious about all aesthetics. I love the sentence and I love the line and I love when the two are in collusion. Poems are composed of fragments, and it is the poem that invokes what\u2019s been left out or lost that can break me open in the best, most devastating way.<\/p><\/blockquote>\n<h3>Guidelines:<\/h3>\n<ul>\n<li>Submissions are open to all poets, regardless of publication history.<\/li>\n<li>Send us only your best, polished work\u2014<strong>unpublished poems only, please.<\/strong><\/li>\n<li>As part of our dedication to the pursuit of a more inclusive publishing world, we are offering a free submission window for poets from historically marginalized groups at the beginning of the contest until we reach our cap of fifty. NOTE: SUBMISSION CAP HAS BEEN MET.<\/li>\n<li>Please do not include any identifying information in the body of your document.<\/li>\n<li>We accept simultaneous submissions, but please notify us if your work is accepted elsewhere.<\/li>\n<li><strong>We ask for no more than three poems (five pages) per submission<\/strong>. Please submit all your poems in ONE document. We have no particular aesthetic or formal requirements and consider all styles of poetry.<\/li>\n<li>Each entry requires a submission fee of $20.<\/li>\n<li>Multiple submissions (of up to three poems apiece) are allowed, but each requires a separate entry fee.<\/li>\n<li>Please include a brief cover letter with your publication history and personal bio. Also include any content warnings in consideration of our reading staff.<\/li>\n<li><strong>Work generated by AI will be automatically disqualified.<\/strong><\/li>\n<li>Submissions are open internationally, to any poet writing primarily in English. Some code-switching\/meshing is very welcome.<\/li>\n<li><strong>Please do not submit work if you have a close relationship with the guest judge.<\/strong><\/li>\n<li>If you have any questions, please visit our\u00a0<a class=\"link-color sbm-text link accessible-link\" href=\"http:\/\/www.frontierpoetry.com\/faq\" target=\"_blank\" rel=\"noopener\"><u>FAQ<\/u><\/a>\u00a0page. If you don\u2019t find the answer to your question, email us: contact (at ) frontierpoetry (dot) com.<\/li>\n<li><strong>The deadline is September 7th, 2025<\/strong>. We plan to announce winners and finalists in Fall 2025.<\/li>\n<\/ul>\n<h3>Editorial Feedback Option:<\/h3>\n<p>This option costs $59 and will provide you with two pages of detailed and actionable feedback on your submission, including suggestions for future submissions. The $149 option will provide you with three letters from three different editors. Our guest editors are paid a significant portion of the fee and all are astute and professional poets.\u00a0<strong>Please allow eight to ten weeks after the contest closes to receive your feedback.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h4><strong>Entry fee: $20<\/strong><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>The 2025 Myths &#038; Fables Prize\u00a0seeks poems that engage with mythological figures, cultural lore, personal legends, and reimagined fairy tales.  We welcome traditional retellings and radical departures. Invented myths, fractured fairy tales, elegies for forgotten heroes, or whispered epics\u2014let your poetry become the spell.<\/p>\n","protected":false},"author":4,"featured_media":0,"template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[3],"class_list":["post-7262","tribe_events","type-tribe_events","status-publish","hentry","tribe_events_cat-contest","cat_contest"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events\/7262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/users\/4"}],"version-history":[{"count":1,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events\/7262\/revisions"}],"predecessor-version":[{"id":7264,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events\/7262\/revisions\/7264"}],"wp:attachment":[{"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/media?parent=7262"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tags?post=7262"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/anovelapproach.ca\/submission_calendar\/wp-json\/wp\/v2\/tribe_events_cat?post=7262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}