Most events are installed on their deadline date, unless there is a long submission window or unless it's a rolling submission.
P=Poetry, N=Nonfiction, F=Fiction
Our purpose is to encourage one another to know ourselves more deeply, to value the stories we have to tell, and to connect with a sense of feminine wisdom and community that has nourished women throughout history.
In March, we’re asking for your stories about what it’s really like to take care of your mental health in today’s world.
Readers and writers of all religions and none are most welcome for creative exploration of spirituality and the sacred.
The purpose of The First Line is to jump start the imagination--to help writers break through the block that is the blank page.
Each submission must expressly contain a seasonal word associated with winter.
Where will time take you? We can’t wait to find out.
We’d like to open up the issue to the spirituality of food: how do we produce it, how do we consume it?
The theme of Bloom & Blossom is all about the resurgence of life, growth, and the creativity we feel as the days start to get longer and our flowers begin to open up again.
We want to see fresh, inspiring pieces; give us chills, fill us with awe. Show the best (and worst) parts of your fictional world. Your home is here.
We especially like edgy writing that offers insight into darkness and we relish a piece with a great deal of heart and more than a little bit of Truth (note the capital “T”).
Invisible is committed to publishing a diverse array of writers and presenting unique perspectives, and we are looking for work that is deeply grounded in a sense of difference and the unexpected.
Seeking to expand preconceived notions of what poetry is or means, we publish and promote raw talent, ragged edges and rebels.
The Humber Literary Review (HLR) and the Creative Nonfiction Collective Society (CNFC) have joined forces to bring you a Canada-wide creative nonfiction contest.
We want your clever, surprising and dizzying reversals––be it through character, plot or formal elements!
We’re looking for pieces about hauntings, and welcome or unwelcome visitations from beyond the grave.
We seek to push the bounds of modern writing, and find a haven in the oddities that result from expanding one's craft
All work should reflect the theme of History as you interpret it.
We are wide open to weirdness and we want to have fun — invite us into your labyrinth.
Essays, humor, satire, personal experience, and features on topics relating to women are our primary editorial focus.
Ev0king the Question: Why do you think cats have historically been the most popular familiar for Western witches?